Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.展开全部
毒液最后一舞,毒液3,毒魔：终极一舞(港),猛毒最终章：Last Dance(台),毒液3：最后之舞,Venom 3,Venom vs Spider-Man,毒液：最后一舞 Venom: The Last Dance,毒液3最后一舞,共生体大战解锁毒液马新形态,Venom: The Last Dance , Venom 3 , 毒液3 , 毒液3：最后之舞 , 毒魔：终极一舞 , 猛毒最终章：Last Dance
